Jean-Baptiste Camille Corot(July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. | |||
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The Young Woman of Albano (L'Albanaise) Pintura Identificación:: 71675 Vea nuestra galería en Suecia |
The Young Woman of Albano (L'Albanaise) ca. 1872(1872) Oil on canvas 74.1 x 65.6 cm (29.17 x 25.83 in) ca._1872(1872) _ Oil_on_canvas _ _74.1_x_65.6_cm_(29.17_x_25.83_in) |
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Young Woman of Albano Pintura Identificación:: 73002 Vea nuestra galería en Suecia |
Young Woman of Albano Date ca. 1872(1872) Medium Oil on canvas Dimensions 74.1 X 65.6 cm (29.17 X 25.83 in) cyf Date_ca._1872(1872) _ Medium_Oil_on_canvas _ Dimensions_74.1_X_65.6_cm_(29.17_X_25.83_in) _ cyf |
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Chateau de Wagnonville par Jean-Baptiste Corot Pintura Identificación:: 73278 Vea nuestra galería en Suecia |
Chateau de Wagnonville par Jean-Baptiste Corot peinture de jean baptiste Corot "Le chateau de Wagnonville"" cjr peinture_de_jean_baptiste_Corot_"Le_chateau_de_Wagnonville"" cjr |
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Madame Legois Pintura Identificación:: 74575 Vea nuestra galería en Suecia |
Madame Legois 1838 Oil on canvas 53 X 40 cm (20.87 X 15.75 in) cjr 1838 _ Oil_on_canvas _ 53_X_40_cm_(20.87_X_15.75_in) _cjr |
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The Woman with a Pearl Pintura Identificación:: 77543 Vea nuestra galería en Suecia |
The Woman with a Pearl ca. between 1868(1868) and 1870(1870) Oil on canvas 70 x 55 cm (27.6 x 21.7 in) cjr ca._between_1868(1868)_and_1870(1870) _ Oil_on_canvas _ 70_x_55_cm_(27.6_x_21.7_in) _ cjr |
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| Jean-Baptiste Camille Corot | ||||||||||
| (July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. | ||||||||||
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